Props, Location and Costume.

As a group we had the initial idea for our trailer and what was going to happen. We had drawn a story board for our trailer, and also commented on the changes the we have and will make to make the trailer look more professional. Our next step was to organize the logistics of the trailer and how we were going to film it. We started by organizing a table that included the props, locations and costumes that we intended to feature in our film.

Props	Locations	Costume
GAMES CONSOLE – For use in the trailer, to be used as an outlet for the game to be played on and to show the audience how the game is played. GAMES CONSOLE CONTROLLER – For use in the trailer, to show what the game is played with and to emphasize the importance of the video game in the film. TELEVISION – For use in the trailer, to show what the video game is being played on and also to emphasize the hypnotising effect of the video game through the visual aspect on a TV. VIDEO GAME – For use in the trailer, to show the object that the content of the film is based around and highlight the importance of the video game.	MEDIA SUITE – For use in the trailer and for the magazine cover. I used its white backdrop for the scene with the newsreader because it provided the professional look that I needed to make it seem realistic. I also used it for the photo shoot for the magazine cover because again it provided the image of real photo shoot. BEDROOM – For use in the trailer, I used a bedroom for the scenes with the main character playing the video game because it gives the audience a background into the main character and it makes the film feel more realistic. As well the scene with the games console controller, the video game going into the games console and the curtains being shut. SCHOOL CORRIDOR – For use in the trailer and for the film poster. I used this location as it was a long corridor which was good for the main character and the antagonists to meet from either end, which is portrayed in the trailer. I also used this location for so I could achieve an image for the background of my poster.	SUIT AND TIE – For use in the trailer, in the scene with the news reader, to provide an authentic and professional look needed for to make it look realistic. SMART CLOTHING – For use in the trailer, in the scene with the bullying in the school corridor, to give the impression of being in a school in order to make the film more realistic.  DARK CASUAL CLOTHING – For use in the trailer, photo shoot and the magazine cover. This is to give the character a dark and mysterious side and make it more realistic for the film.

Poster and Magazine cover photo shoot.

For my magazine cover and my poster I decided to make a photo shoot with our protagonist so that I could achieve professional looking pictures for my media products. I used a white screen backdrop for these pictures, and took many so that I could find and pick out the good and bad ones. Here are some of the following photos.

Initial Design Ideas for Poster and Trailer

After doing my research on posters and film trailers, I decided to start drawing some of my own ideas for my poster and a story board for my trailer. 

For my initial ideas for my poster, I tried to stick with the theme of a game, which was what the film was based on. I started with five rough sketches and annotating each one with reasons behind my idea and what the poster represents. I then choose one of my five sketches and developed it, and choose this sketch eventually to be the main idea for my poster. 

My storyboard for my trailer was our original idea. However after a discussion between myself and my group we and after trying to film some of the harder scenes like scene two and three, we decided we needed to change it. Furthermore, we calculated that all of the scenes would total a time longer than we expected, averaging around two minutes in length, so we had to make some cuts. We removed scene two and three, so it would cut from scene one straight to scene four. We then added some inter text to explain more of the story and break up the scenes. We kept the scene five, however we removed scene six, and added several more quick scenes with sharp cuts in between each one. These new scenes helped expand the length of the trailer appropriately and also showed time passing. We followed this with scene seven, and added two more scenes at the end to finish off the trailer. 

Film Trailer Analysis

For our final piece of research, I had to look at and analyse other film trailers based on the genre I had chosen. I did this so that I could further my knowledge and understaningd of how film trailers worked and learn the typical conventions of them, especially in horror films.
The three horror films that I choose were:
The Shining
The Exorcism of Emily Rose
Silent Hill

Trailer Analysis
The Shining

•   Male voice over. Lays out the film with a simple line “I don’t suppose they told you anything in Denver about the tragedy we had up here during the winter” 
•  Trailer opens with a long shot. Car moving across a country road, desolate.
  
  
  
•  Mountains in the background. One single road. Immediately gives the impression of isolation and mystery.
  
• Long, wide shot of the hotel (castle) with mountains as a backdrop and surrounded by trees. Reinforces the idea of an isolated place.
  
  
  
•  Voice over continues to tell the story with no apparent meaning.
  
•  Interior shots of the hotel. Empty and abandoned. Seemingly harmless but adds mystery and suspicion.
  
•  Voice over delivers the final line “killed his family with an axe”. Intense and disturbing. However it attracts the viewer’s attention and intrigues them into what why the tragedy happened
  
  
  
• The music builds to a crescendo. High pitched screeching sound. Makes the viewer uncomfortable and suspicious.
  
• Crescendo ends in sync with the final sentence. At the same time a deranged man wielding an axe smashes a door.
  
•  So far the colours in the trailer have been bland and dull, showing no life or vibrancy, which again reinforces the idea of isolation.
  
•  Quick editing between scenes shows the antagonist and his family.
  
  
  
•  This gives background and pretence to the story, revealing a little bit more about the plot.
  
•  Also adds a bit more humanity to the trailer, for instance, it finishes with the long, dark, mysterious scenes of the castle and its surroundings.
  
•  More colour and vibrancy is added.
  
  
  
•  Single second shot of the son screaming. Makes it more intense and brings back that feeling of mystery.
  
• The editing between the clips, especially the vibrant ones in comparison to the other long shots of remote areas, include a lot of fades. This adds tension to the trailer.
  
•  The sound is creepy and off putting, keeps the viewer on edge and makes them anxious.
  
•  The following editing is jumpy which makes it more intense and adds to the tension and horror of the film.
  
•  Violins build suspense and quick cuts add to that. More action starts happening.
  
•  The following shots are dark and mysterious. They reveal more about the plot and have confirmed the viewer’s idea that something bad is going to happen.
  
•  There are a lot of cuts that are out of context to the beginning and middle of the trailer. This is purposely done to confuse the viewer and make them feel uncomfortable, adding to the intensity of the trailer. 

The Exorcism of Emily Rose

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• Trailer starts with a shot of a lonely house in the middle of nowhere. Completely white with snow. This shows isolation and fear, and the blanket of white creates tension and the mystery of the film.
  
  
  
• Low shot of the man up in the window; this builds tension and gives the character mystery.
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• Editing of “Based on a true story” does two things, it intrigues the viewer as well as scares them. It makes the film more realistic
  
  
  
• Following writing sets the scene and describes the plot. Background information on characters.
  
• Continuation of the desolate, bleak colours of white and grey which plays on the emotion of fear and shows isolation.
  
• The scene with the tape and the girl screaming play on the fear on the viewer, making them anxious but interested.
  
• More close up shots of the man show that he is disturbed or troubled by certain events that are to become clear in the film. Gives the viewer incentive to keep watching.
  
• A few short and sharp cuts add tension to the trailer.
  
• The scene where the bed moves with the women in it sets the scene, adds mystery as to who is behind it and plays on the viewers fear.
  
• It gives the viewer a teaser of what is to come.
  
• Further scenes in and outside the courtroom add further background information to an ever revealing plot.
  
• More short scenes with dramatic music and dialogue, adds more information but also builds up tension and fear of the horror film.
  
• Dialogue like “there are no injections against the Devil” are powerful and revealing, furthermore, the close up shot as the man delivers the line shows the emotion in his face and body language, which shows fear.
  
• Light choral music creates tension and mystery. The theme of desolate and bleak colour is continued. Dark prison cell, dark church, dark and mysterious hospital room.
  
• Following scenes contain dramatic and scary images of evil and possession, revealing even more about the film and again playing on the fears of the viewer, but still keeps them interested.
  
  
  
• More short sharp cuts in editing. Background music also experiences cuts and peaks with screeching.
  
• Towards the end of the trailer there are a lot of quick fade in, fade out cuts. This is to show that the pace of the film/trailer has picked and that is in full flow. Shows action and drama.
  
• Continue with scary flashing scenes, playing on the viewers fear.
  
• The trailer reaches the climax of the action after the crucial dialogue “It has begun”. The dialogue itself shows that everything is about to happen. Plays on fear. Quicker sharp cuts, lots of lights and flashing images create more tension and fear.
  
• The trailer ends with the light choral music and the aftermath of the horrific scenes.

Silent Hill

• Two separate shots of a woman and her daughter. Shows the audience a picturesque image of a happy family a supposed happy family. The image contains a long shot of the pair under a tree in the sun.
• The voice over is by the female mother character, describing the events that her daughter gets up to while asleep. This gives the audience a hook, something that intrigues them to continue to watch the trailer and draws them into the storyline.

• The music in the background adds a feel of intensity and interest. It plays the story out in the beginning of the trailer. The voice over gives more of the storyline away, intriguing the audience more.
• There are continuous shots, with sharp cuts between each one of a car driving along a long stretch of road at night. This again gives the audience a feeling of intensity and gives the storyline as well as the trailer a destination. There is brief text saying ‘Toluca County, West Virginia’ which gives the film a setting.
• A brief scene inside the car in which the mother and daughter are still driving towards their destination. There is low lighting due to the fact it is night, but it also gives the scene an edge of creepiness that intrigues the audience. This is followed by a shot of the radio crackling and the music stopping. This again gives the audience a hook, which makes them understand that something strange is about to happen and hopefully any of their questions about the beginning of the trailer will be answered.

• The following scene still only involves the original two characters, the mother and daughter. This makes the audience question what their background is and how they have ended up in this situation, a question that would only be answered by watching the film.
• The next few scenes contain only the mother. This makes the audience more interested in the daughter and what has happened to her.

 

• Also in the next few scenes, there a several different shots (long shots, close ups and profile shots) that are of the mother in a completely changed setting. It has gone from darkness to and abandoned road in light, covered in ash.
• Throughout these scenes there is still silence and no added non digetic sound. This adds more suspense to the scene, making it more interesting for the viewer to watch.
• There is a pan of the camera to a billboard that has the name of the film on it. The name of film obviously has a vital part in the plot of the movie. As the pan takes place, there is a sharp high pitched crescendo of music which stops as there is a cut to black, followed by the mother shouting her daughter’s name in the darkness. This adds creepiness to the film and puts the audience on edge, as they have no idea about what is to happen next. The crescendo music then cut to black is classic horror movie convention.

• There are then a few very effective sharp cuts that show time passing and the mother walking down an apparently abandoned road.
• There have been three major changes of colour throughout the trailer. It has gone from a happy yellow and orange at the beginning, to a dark black, which is because of the night, but also shows the mystery and intensity of what is to happen next. Then the final change is to a bleak grey and white, which creates tension and mystery.
• The voice over is dialogue taken from the film that continues to tell the story and give details away about the plot. The voice over is of the mother again, and is put over scenes of her desperate struggle to find her daughter. Another character is introduced and that gives the impression of a father figure. 
• More text that displays ‘what was once an ordinary town’, which gives more away about the plot and the setting. The mix of the bleak and abandoned town coloured in grey and white means the audience can start putting together pieces of the plot.

• Another voice over is added of a deep male voice, which completely changes the pace of the film. The scenes that play alongside the voice over are made up of quick cuts and shots of a town ravaged by disaster.
•  There is more text, adding more to the plot, and making the trailer more mysterious keeping the audience on edge and making them want to find out more.

• Following scenes are made up of the mothers search for her daughter through the town. To keep the viewer interesting and wanting to see more, there are quick cuts with high pitched choral music, followed by long shots of the town in silence.

• More text is added, over fast paced music the builds higher into a crescendo. The text proclaiming exactly what the viewer feels, ‘mysteries without answers’.
• There is the continuation of black and white colour, which not only adds to the tension and anxiety of the viewer, but brings back the suspense and mystery. 
• The father figure comes back into the trailer, proclaiming that the woman is his wife. This gives the viewer the ability to piece together some idea of the family.
• There are then quick cuts between the mother and her struggle to find her daughter, and her daughter looking possessed. This adds suspense to film, and his further backed by the high pitched screeching sound in the background.
• The audience is then given another piece of text, and a loud wailing sound begins in the background. This is done to build up tension in the audience.
• This is followed with quick cuts of people fleeing in terror and dialogue of scared and anxious characters.
•  Over the course of the last few scenes, the colouring of the trailer has got darker and darker, and the shots of the characters have become more obscure. This is to put the audience on edge and keep them in suspense. It is a convention of horror that is used to frighten and put the viewer on edge.

•  The idea of the darkness is continued in the next scenes, after it cuts from scene to scene of the mother in some sort of hell. This puts a completely new spin on the trailer, and essentially throws the audience off balance as it lays out the rest of the plot.
• This is continued by disturbing scenes that show content of the films plot. Intriguing the reader on wanting to find out the truth behind the film. The music in the background is also creepy and adds to the suspense of the film.
• The scenes of the mother in this hell get longer and more in depth, revealing more about the plot and interesting the audience more, creating tension. This is reinforced by the music building into a slow crescendo. The crescendo ends with a cut to a black screen. This again adds to the suspense and continues to intrigue the viewer.
• Finally there are 10 scenes that are effectively cut in time with a non digetic heart beat in the background. The scenes show the mother still in her struggle to find the daughter and the hell that surrounds her. Therefore the plot and direction of the film have been given to the audience so that they can try and predict what happens next. 

Film Magazine Analysis

For our coursework, we had to research into film magazines like Empire and Total Film. We did this so that we could analyse the positive and negative aspects of the front cover in order to achieve a better understanding for our own design. I looked at and analysed the colour, juxtaposition and composition of text and images, and why this was done. This research greatly expanded my knowledge on film magazine and how they attract the reader to see the film. 

Film Poster Analysis

As part of our coursework we had to do background research on film posters in order to help us get ideas for our own creations. I choose to research three different horror films, spanning the last 30 years, all that had varying reception from critics and the public, and look at how each poster presented their film, and what each one did differently in order to entice the reader into seeing their film. From doing this exercise I have gained the ability to better understand the use of colour, positioning, text and images in order to aid me in creating my own design ideas for a horror poster.

The three horror films I choose to research where;

The Shining

The Exorcism of Emily Rose
Silent Hill

Film Timeline

Why people enjoy watching horror films - uses and gratification

The film will be targeted at older people from 18 – 30, this is because of the references and plot of the film apply directly to these age ranges. It will also be 18+ due to the horrific and graphic nature of the film, as it is not suitable for minors and children. The purpose of the film is to scare the audience, and make them jump. It will get their adrenaline rushing and have them wondering what is going to happen next, a sense of suspense and excitement despite the horrific nature. You can relate this to the uses and gratification theory, that people who look for a rush, thrill or a fright will be more likely to actively go and watch a horror film, then say a romance or a comedy. This suggests that people use the media and more importantly the genre of films to fulfill specific gratifications. This would then imply that films that share the same genre will try to make their film different and more interesting in order to fight for the audience’s gratification.

It is human nature for people to pursue pleasure and avoid pain; however this theory cannot be applied for audiences who take pleasure out of the watching horror movies. There are two main theories of why people enjoy the terror of watching horror movies, and this is because people are not actually afraid of the content in the film, but excited by the suspense and thrill of the movie. For example, people would watch the horror film Paranormal Activity because the film is realistic and jumpy. This means that that audience is excited by the prospect of ‘what happens next’ and can try and anticipate and predict what will happen next in the film. Furthermore, the audience will get an adrenaline rush and will enjoy the scary and jumpy scenes in the film, as it will keep them on the edge of their seat. The consequence of this means that the audience and the viewer feels more part of the story line and the feels more engaged in the film then usual. To add to this, the film Paranormal Activity is a classic example of how an audience can relate with the characters and put themselves in the characters position. This is made even easier because the film is continually shot from a hand held camera, which makes the film simulate reality even more. 

Another theory of why people are willing to tolerate the experience of watching horror films is because they enjoy the euphoric feeling of relief at the end of the film. For this theory you can use the classic example of Silence of the Lambs in which the there are a variety of different aspects at the end of the film that can provide the audience with a sense of relief at the end of the film. This can be the death or capture of the antagonist, and the victory for the protagonist. Or it can be completely the opposite where the audience prefers the antagonist or can relate to them, for example Jason Voorhees in the Friday the 13^th. However, this is only relevant to the whole Friday the 13^th franchise as in the rest of the films the audience finds gratification in seeing the iconic figure of Jason Voorhees and what he does during the film, and how he always returns.

In conclusion, you can see from these theories that the audience is obviously happy to be unhappy, and to accept watching these negative experiences. The audience may be excited and enjoy being scared just as much as they enjoy the relief when the threat is removed. For example the most pleasant moments of a particular event may also be the most fearful.

Why people enjoy watching films

How do film trailers attract audiences to go and watch a film?

This essay will explore the ways in which film trailers attract their audiences, the techniques that are used and how each trailer has a unique selling point that will appeal to the audience and make them want to see the film. Film trailers have a special way of selling the film to the audience; they can outline an entire plot, but still not give anything major away. They can immediately introduce you to characters that you will love or hate and can show you storylines that can already have you gripped to your seat.

Different genres have different ways in attracting their audience; action trailers will provide a sense of awe and excitement which will make viewers want more, whereas comedy trailers will deliver humour in order to entice the audience.


 The same can be said for horror trailers, which will scare the audience into wanting to see more, and thrillers, which will make sure that they produce the audience with such an exciting and twisting plot that they can do nothing but want to see the film. However, although each genre has a unique way of selling a film in a trailer, it comes down to the trailer itself to really make the sale. For example, when watching a trailer for a horror film, you don’t want happy, cheerful music playing in the background; you want music that will fit the atmosphere to which the trailer presents. This shows that trailers have to have a composition of many things, i.e. image and sound, in order for it to really sell itself.

 

The film Silence of the Lambs has a very simple trailer, which sets the story, introduces the characters, and also creates a sense of suspense, mystery and horror around the plotline. These things combined are the perfect way to attract an audience to see a film. There are however ways of doing this, for example, one of the most commonly used aspects of a film trailer, is to use a voice over in order to set the scene. Depending on the genre of the film, the voice over can change the emotion of the viewer, by changing the pitch or tone of their voice, by saying very little, or saying a lot, and by choosing key words to strike at the genre of the film. A voice over in a horror film will often have a very deep voice, and will try and use as few words as possible, in order for the person watching the trailer to fathom out what is going to happen.
There is also the use of dialogue, or in some case, the lack of it, which makes a film trailer really good. You’ll often find that short teaser trailers for films will include no dialogue at all, which sometimes is a better way of selling a film because it leaves the characters untouched and the plot up to the readers imagination. On the other hand however, dialogue can be the main thing that sells the film. This is definitely the case for sequels for films, for example, Harry Potter. Films with recurring characters that the audience know and love exploit dialogue because it gives the viewers an insight into what the characters are going to be doing in that film.

There are many other things in film trailers that sell the film and attract the audience, for example, the use of sound is vital so that it sets a tone for the entire film and helps the audience understand the basis for the film. This means that comedy films and romance trailers will have upbeat and uplifting music whereas action trailers will have fast paced and intense music, so that it is fitting with the content of the film. This attracts audiences to see the film because it makes them aware of the films content, but it also sets a tone for what the rest of the film is going to be like. Another important part of a film trailer is the editing. You cannot simply throw random clips from a film together in order to make a trailer; the clips have got to mean something and most importantly, have got to make sense for the viewer. The editing has to be done so that is shows audience the best bits about the film, and the unique selling points that will make to audience find out more about what happened.

Our Company RRT - Mission Statement

MISSION STATEMENT

RRT Productions strive to bring unique British media products of the highest quality to the worldwide audience. We offer a range of genres amongst our different institutions such a record label and a film production company. Our mission is ensuring our products are individual on the market.

Film Idea - Horror